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16
Dec 2011

Isa Leshko: Elderly Animals

I just received the December newsletter from the photographer Isa Leshko, and wanted to share her recent photography series Elderly Animals with you.  In the short documentary by Walley Films posted on the NPR website, Isa talks about the project, about how it emerged, unexpectedly, and how working on photographing these farm animals and pets towards the end of their lives she was in fact looking in the face of our own mortality as well.  I am overwhelmed with how much emotion - and respect for their subjects - these images evoke.  Most of the animals in these images look weary and tired, but some of them emit strong unconquerable defiance. 

Here is an excerpt from an Observer article about Elderly Animals: 
It's not strictly true that all living things grow old and die.  The jellyfish Turritopsis nutricula returns to sexual immaturity after reproducing and is believed to be biologically immortal. The rest of us, however, succumb to our age with weary inevitability. It's good to have work such as Leshko's to remind us that – be we horse, hound or human – there's more to life than youth.

Filed under  //   isa leshko   photography  
11
Dec 2011

Steven Holl Awarded AIA Gold Medal

Steven Holl has long been one of my favorite architects.  (The others are Tadao Ando, Carlo Scarpa, Peter Zumthor) Holl's architecture is rooted in humanistic ideals, and expresses a form of unique spacial poetry.  For years now, he has been germinating his idea(l)s in small watercolor sketches that he makes every morning as he wakes up.  I am so happy to know that his work has been recognized with this prestigious honor.  

I had applied to work for him, more than 10 years ago, just out of school.. It was just an 8-person studio back then.. Where would I be now, had I gotten that job?.......

When my father passed away unexpectedly at the age of 58 in late fall of 2000, I went home to Latvia to be with my family at his burial.  I had a layover in Helsinki, as usual, on my way to Rīga.  And the one place I gravitated to, on this very hard trip was the Kiasma Museum of Contemporary Art, designed by Holl.  In spite of its secular function and very modern presence, it possesses purity and an ephemeral lightness that transcends its function and enters the zone of the sacred.  After several quiet hours at the museum I felt strong enough to proceed, and to board the plane that then took me to my father.  

Metropolis magazine has a neat gallery of Holl's watercolors, accompanied by an article.

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Steven Holl. 

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Steven Holl. Kiasma Museum in Helsinki, Finland

Filed under  //   AIA   Helsinki   Kiasma Museum of Contemporary Art   architecture   steven holl  
08
Dec 2011

18-year Old French Boy Meets Far North Siberia

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Emile Hyperion Dubuission, from Siberia.  The Far North Series

I just came across this young photographer's work.  It struck a very personal note with me.. His images look like visitors in my family album, from the days when I lived in the extreme Far North of Siberia.  They are hauntingly beautiful, stripped of any pretense, and spontaneous.  A veil of bleak beauty covers them, distancing the viewer from the viewed.. 

P.S. I do wonder though, how did he  - and his camera - survive in those temperatures.   It takes years to persuade your body and mind to marginally agree with the extremities of that place...

Filed under  //   Siberia   photography  
18
Oct 2011

Presenting at Hillside Art Salon tonight

6pm. at the University of Massachusetts chancellor Robert C. Holub and Sabine Holub's house.  

Hosted by Sabine Holub.  

Check out the Salon's website to see a couple of pieces from the collection I will be showing tonight, as well as those of other presenters.  20 slides/20 seconds each!  Sounds like a brutal format, a kind of speed dating with art, but I think I like it: it prevents preciousness from slipping into the presentation.  The time constraint has it's price too.. Didn't Mark Twain once complain about the 5 minutes he was given once to deliver a speech, saying that he'd need two weeks to prepare for it, while he could give a 2-hour lecture today! :)  

I am really excited about this event...., and I better practice my "5 minutes" now!  

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From the Lightness Series.  Walker Art Center. Minneapolis. 2011

Filed under  //   University of Massachusetts   amherst   art   photography  
06
May 2011

Works on Paper

An expansive art show covering a wide range of media - all focusing on PAPER - is opening tonight in Holyoke, at the Paper City Studios.  It will showcase a lineup of wonderful artists from the region.  I will have one of my photographic assemblies in the show as well.  

I stopped by the Paper City Studios the other day and found my friend Sheryl Jaffe installing her piece in the attic space.  Even before completion, this work was breathing mystery and emanating an ephemeral beauty reminiscent of ancient papyrus scrolls and imprints of prehistoric bones in stone.  

Come, see, and make sure you climb all the way to the attic! Hope to see many of you there!  

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Sheryl Jaffe.  Installation in progress, Paper City Studios, Holyoke, 2011
 
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Sheryl Jaffe.  Installation in progress, Paper City Studios, Holyoke, 2011
 
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Sheryl Jaffe.  Installation in progress, Paper City Studios, Holyoke, 2011
 
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Sheryl Jaffe.  Installation in progress, Paper City Studios, Holyoke, 2011
Paperworks_poster

Filed under  //   art   exhibition  
28
Mar 2011

What Matters About Photography?

Blogphotosmall

I'd never asked myself this question before. But the theme and the title of an upcoming photography show - What Matters About Photography? - at the Vermont Center for Photography made me ponder.  Where do I even begin?  There are innumerable ways in which photography matters - to me.  This is what I wrote in a short essay that accompanied my submission for this annual juried exhibition, and that only begins the conversation for me: 

The most beautiful thing we can experience is the mysterious, Albert Einstein once said.

 Photography allows me to dwell on, to capture, and to share with others what I see as the immeasurable and the mysterious in our lives - be that a child’s face as she relishes the feel of her fingers sinking in the warm fur of the cat’s belly;  or the stillness of time, void of space and sound, as I watch my husband quietly fight for his life; or the pattern of light, flowing outward through a tobacco barn’s open slats, like outstretched wings of a gigantic bird about to take off into the dark winter night; or the way the world suddenly  arranges itself, just this one time, just right here, in front of me...  I am reminded, time and again, in these plentiful moments of witnessing life’s mysteries, to remember life.  Memento Vita - paraphrasing the ageless wisdom of the Ancient Romans.

 I am very excited to announce that three of my photographs - Raiija and Runka, Accordionists, and an Untitled from 30 Days in Spring Series were accepted for the show.  You may already be familiar with the faces of Railija and Runka, and of the Accordionists, both of which were on display in Amherst in Northampton this past winter.  I haven't yet however shown any photographs from the 30 Days in Spring series.  These document Agus's quiet and willful fight with cancer last April, 2010.  I am both nervous and thrilled to have one of them on display in this upcoming show.  

Please come to the opening reception this Friday, April 1 in Brattleboro, VT.  See more information below.  And no, it is not an April fool's joke! :-)

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Accordionists.  Rīga, Latvia.  2009

 
THIS MONTH AT VCP...APRIL 2011...
WHAT MATTERS ABOUT PHOTOGRAPHY-
A JURIED EXHIBITION
...April 1-May 1, 2011 

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Nancy Weber, En El Campo-Mexico, archival digital print, 2011

 

 

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Elsa Voelcker, Grampie Caning a Chair, silver gelatin print, 1970

 

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Judy Unger-Clark, Three Kids on a Beach, hand colored silver gelatin composite print, 1991

 

An excerpt from an VCP newsletter: 

 In April 2011, the Vermont Center for Photography will present a juried exhibit titled, What Matters About Photography. We hope that by exploring what matters with images and writing we will get to some kind of understanding of photography's place in the world of ideas and art. What Matters About Photography will feature work by Elsa Voelcker, Susan Lirakis, Andrew Strattner, Paul Osborne & Catherine Davis, Corey Stein, Michael Stoudt, Andrew Hodgdon, Heidi Haner, Cheryl Willoughby, Liza Mindemann, Paula Sagerman, Donald David, Jerry Reed, Liz LaVorgna, Bernie Kubiak, Kathleen Carr, Suzanne Flynt, Judy Unger-Clark, Ellen Madden, Betsy Feick, John Nopper, Cynthia Hughes, Anita Licis-Ribak, Bill Arduser, Nancy Weber, Doug Frank, Brent Seabrook, Andrea Powell, and Tim Ellis.

 

An opening reception will be held Friday, April 1, 2011, from 5:30 to 8:30 p.m. during Brattleboro's Gallery Walk. The exhibit will be on view through May 1.

 

GET INVOLVED! Please post your thoughts and photographic examples about what you think matters about photography on our wordpress blog at http://vcpwhatmatters.wordpress.com/.

 

Most works featured in the What Matters About Photography exhibition are for sale.  Please contact the gallery manager at info@vcphoto.org or 802-251-6051 for more information.  

 


 

07
Feb 2011

Presenting at Smith College

This afternoon, I will be giving a presentation on my personal design and photography work at Smith College as part of the spring lecture series, Daughters of Invention. I am thrilled to be in such an inspiring company! Last hours of preparation...

I have unearthed, after 13 years of it laying dormant, my Masters of Science thesis project on Architecture+Music. Still today, the subject is so relevant to me, and fresh!

Morton Feldman once said: I paint the canvas of time with colors of sound. John Cage may have added: ...and silence....

Click here to download:
Daughters of Invention Poster.pdf (1.52 MB)

02
Feb 2011

Our little Railija is going to Minneapolis

I am thrilled to share this news with you.  'Railija and Runka', my photograph from the City on the Sea series, was recently selected to be part of a juried photography show at the Minneapolis Photography Center in Minnesota. 

The show will be comprised of prints selected by Christina Chang, Assistant Curator at the Weisman Art Center in Minneapolis, from a pool of work submitted to the International Call for Entry, "Woman As Photographer.  Picturing Life As A Woman".  The exhibition will run from March 4th through April 17th at the Minneapolis Photography Center.   

Railija and Runka is a double portrait of my 3 year-old niece (she was 2 when I took the picture) with my brother's cat Runka (or Čumins, as my brother's family calls him).  I took it at the end of an unusually sunny summer of 2009, during my last visit to Latvia. 

Click here to download:
Woman As Photographer Poster.pdf (398 KB)

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Railija and Runka.  Latvia.  2009

02
Feb 2011

City on the Sea comes to Amherst

After a month in Northampton, the exhibit of 30 or so photographic prints of Latvia will open in Amherst tomorrow, Thursday.  Please come to the opening reception between 6 and 8 p.m. tomorrow night, if you are in town, or between 1 and 2 p.m. on Sat. Feb.19th when I will be at the gallery to give a tour to anyone who would like to hear the stories behind the pictures.   

Thank you so much to all of you who came to the show in Northampton, and for all the feedback and inspiration (and gorgeous flowers!) you've brought along!  

For a preview of the show, please visit one of my previous posts, or Jones Library website: http://www.joneslibrary.org/burnett/thismonth.html

Licis-ribak_city_on_the_sea_po

Filed under  //   amherst   exhibition   photography  
26
Jan 2011

Пос. Черский - to go or not to go: that is not the question.

It will be 25 years this June since I left пос.Черский/the town of Cherskiy in northeast Russia where I lived through my adolescence, my first kiss, my first (and only) 'deadly' confrontation with my father, and many a dream, including a non-realisable dream of escape from home - not very original, being a product of teenage brain.

I am feeling a strong pull to go back and revisit (not so much the trials of adolescence!). The 25 years have added new lines to my face, and presumably to my brain.  Some of the topographic expressions of both may be attributed to the string of information I have been digesting, arriving in a continuous telegraph that started 25 years ago, after I left Cherskiy. The year was 1986, and the geyser of Glasnost had opened up the floodgates of information available to the wary but truth-hungry consumers. It's about the history of the place. In fact, it's about the history of the whole country, USSR then, and how its jagged edges cut up the life of my family, and all other nucleuses of that society (The USSR always proudly maintained that each family is a nucleus of society. And then, it would go on to explode this 'nucleus' from within).

I was telling about my new travel plans to a close friend recently, and she told me, oh it is going to be wonderful, have fun! I thought for a second, and said, uhm, well, I don't think so, and went to the book shelf to take down a behemoth of a tome, called GULAG. This is my very handy travel guide to the place I once called home.

I don't even know how does one get there these days. The transportation system in Russia today is as perplexing as it was during Soviet times. I did some research on the web, and found out that a company called Polar Airlines does fly small planes to Cherskiy. Their website has a map of all their travel routes, all originating in Yakutsk, the capital of Saha republic, and does include Cherskiy. I followed their link to the flight schedules and rates, and found no mention of Cherskiy there. This puzzling discrepancy may as well be a harbinger of things to come, shall I embark on this journey. I've got the bug now, and the only way of ridding myself of it is by obliging....

I will take liberty of blaming my new affliction on Ian Frazier, with his Travels in Siberia, a wonderfully engaging book, alive with characters, history, and humor, which I just finished reading. He took me back home, to Siberia, the easy way: a mere $20-or-so for my hard cover copy, on a warm living room sofa.

The 'hard way' would entail 24 hours of flying on at least 3 different planes, through 16 time zones, and eating dry kielbasa for breakfast, lunch and dinner for a duration of the trip. Did I mention the $2,500 I would be required to furbish to pay for the treatment of this delirium of mine?.... (I welcome suggestions on what health insurance might cover such a 'treatment'!) $2,500 is what it would take to come by the half-dosen airplane tickets I would need to procure, to get me to Cherskiy. Trust me, I would walk, except there are no roads that lead there.  Not in a reasonable season, anyway. (You can walk on the river ice roads, in winter.  But then, would you?...)  I would take a train. But thankfully, there were limits to just how far the great Soviet railway system, with its millions of free slave laborers, would reach. No railways anywhere near Chersky, aslo known as Nizhnie Kresty, one of Gulag's northernmost labor concentration camps, listed as Nr. 27 on some lists, absent altogether from most of Gulag camp maps.

 

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This photograph from the archives of the Museum of Exile and Resistance in Kaunas, Lithuania, was taken in the early 1950s. It shows one of Gulag's gold-mining concentration camps on the Kolyma river in northeast Russia.

Anchorage_to_chersky-map-2011-

Google Maps tells me they could not calculate directions, nor the travel distance between Anchorage, Alaska, and the town of Cherskiy, Russia...

Filed under  //   Ian Frazier   Travels in Siberia   USSR   chersky   kolyma   russia   travel