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05
Apr 2010

The Secret Lives of People in Love Revealed

A group exhibition of photography by finalists of  9th Annual International Photography Competition, curated by Catriona Fraser is now closed.  The gallery continues with hosting a book signing by Simon Van Booy, the winner of the 2009 Frank O'Conner Award, the world's largest prize given for short stories.

Van Booy will be signing copies of his recently published book, "The Secret Lives of People in Love", a collection of stories exploring love's labors and love's loss.

This free event will take place at the Fraser Gallery at 6pm on Saturday, April 17th.

26
Mar 2010

A Case of 'N', or Between 'Aesthetic' and 'Anesthetic'

These last couple of weeks have been busy, with trips to Washington DC, Boston and New York. 

I am very excited to announce that one of my photographs, Untitled, No.1, from 'Towards the Light' series, was awarded an Honorable Mention at the 9th Annual International Photography Competition at Fraser Gallery in Bethesda, MD.   

I attended an opening reception and awards ceremony on the night of Saturday, March 12th, amidst a rain so hard you'd think it's running for a deadline, floods stopping traffic and communication, and power outages along the east coast - something that made this gathering ever more cozy and jolly, all of us gathered there being among like-minded people, voyeurs and enjoyers of art, critics (let's face it, we all have a vicious critic inside of us!), lovers of human condensation in small places (although that's not me, under usual circumstances..)  

The collection on display, 36 images selected from a pool of about 550 photographs submitted from the US and abroad, was decidedly on the 'beautiful' side of things..  Landscapes, clean abstractions, still life, poems in line and tone variations, some of them paying homage to the old masters (see a recent article on the show in the Washington City Paper talk about this), others experimenting with painting with light in time,  yet all searching for an expression of beauty in their own right.    

With 'beauty' being an underdog in the lexicon of today's art world, it's rather daring to focus an entire show on the aesthetically pleasing.. But Catriona Fraser, the owner of the gallery and the judge of the competition is unapologetic about it.  She's seen enough of urban decay imagery in the last 10 years, it's time to catch a different train.   Besides, who's to say that beauty - in art, or in life for that matter - is a crime?  A voluntary uplifting anesthetic perhaps, for our souls yearning for high altitudes.. After all, an 'N' is all that separates 'aesthetic' from 'anesthetic'!  

 

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9th International Photography Competition, opening reception and award ceremony. Fraser Gallery, Bethesda, MD.  March 12, 2010  

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Outside view of the Fraser Gallery, Bethesda, MD.  March 13, 2010.  My two photos are right next to the entry  


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'Black Widow' by Karl Doyle, one of my favorites in the show. Fraser Gallery, Bethesda, MD.  March 12, 2010  

02
Mar 2010

Fraser Gallery Show

This post, in a shorter version, appeared first as a part of my Feb.27th blog post, 'The Object Stares Back'.  I decided to make a separate entry for it, with more details added.  So, here it is.... 

I have several photography shows coming up this year, and wanted to talk briefly about one of them.  

The show, which is a group photography exhibit of the 29 finalists of the 9th International Photography Competition organized by Fraser Gallery based in Washington DC/Bethesda MD will open on March 12, 2010 at Fraser Gallery in Bethesda MD, and will show two of my architectural photographs. 

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Untitled No.1 (Rooflines.  Performing Arts Center at Bard College designed by Frank Gehry.  Annandale-on-Hudson, NY)  2008  
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Untitled No.2 (Skylight.  Milwaukee Art Museum designed by Santiago Calatrava.  Milwaukee, WI)  2005

It is an amazing collection of works, and I am truly honored to be part of this show.  You can see the selected works on-line here.  But it's the story behind the gallery itself I wanted to tell you.  

Once upon a time, a young aspiring photographer, born in the UK, and living in the US had a problem on her hands: 26 of her photographs which had just been exhibited in Scotland were "mysteriously" lost in transportation.  After two years of talks with the hosting gallery that led nowhere she decided to go to Scotland and see for herself. What followed was her suing the gallery, upon which all her works emerged intact from a dusty closet, as mysteriously as they had disappeared.  Ignited by her travelogue, the young tenacious artist decided to create her own gallery, where works of art would not get "lost", and which would treat all artists with respect.  Today, 13 or so years later, her inspired creation - Fraser Gallery - is a premier independent photography gallery in the greater Washington area, and a bustling hub of artistic activity.  If you are in Washington/Bethesda this spring, please come and see the show, and perhaps I will see you at the opening on March 12th. And if I am not there, please say hi for me to the owner, Catriona Fraser, the young tenacious artist in my story.  And don't go looking for dusty closets out there!  All the treasures will be on the walls! ;-)    

In the anticipation of the show, I was interviewed by The Gazette reporter Jordan Edwards from Washington D.C. yesterday.  The article, which will also include interviews with three other photographers participating in this show, will run in the Gazette on March 10.  I was curious to know why, out of the 29 artists, he had chosen to interview me.  He explained that he had wanted to focus on photographers from other states, on architectural photography, and on work of a woman photographer.  Obviously, I fit the bill!  But what was interesting to learn was that I was the only woman photographer from outside Washington DC whose work had been selected for the show.  Like architecture, photography still remains a male-dominated field.  Although, I am not a big fan of the word "domination".  How about outweigh?  At least when it comes to weight, we women don't mind to be on the losing side! ;-)  

So, among other things, the reporter asked me how I had arrived at architectural photography, why I took these particular photographs (the ones you see above), why I hadn't chosen photography as my profession to begin with, whether I altered my photographs digitally, and so on. All these questions got me thinking.   But I will leave this for one of my next posts...